Bulletin 1
Bulletin 3
Bulletin 4
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Installation view Aaron Gemmill and Matthew Schrader: Tactile Pose
Installation view Aaron Gemmill and Matthew Schrader: Tactile Pose
O U Dsf4665 Low Res
40.701, -73.987 E Litho ink on chromogenic print 13x10"
Planned Surface Changes (detail)
2015 Rachel 4 Web 533 1
2013 104db673ff0aa508b2ae4f074fc13f7f Jpg 1200 1200 False
2012 Provopoli Barricade 2
2012 Provopoli 2
gemmill@gmail.com
(347) 703-2431
62 18th St, Brooklyn NY 11215

Aaron Gemmill at Bulletin F Magazine Issue 5 Ferrofluid Journal 3 Work in Progress at Storefront for Art and Architecture Utopia Banished at Angela Meleca O / U at P! O / U at Room East Theme Can 2 The Kingsboro Press Issue 9 DARAPRIM at Greene & Nostrand Machines That Matter at e-flux Family Bodies at Induction Burners Plain Sight curated by Tom McGlynn A+WS Reading Room at NADA New York Lite Sabotage: An Interview with Aaron Gemmill at Center for Ongoing Research & Projects Maximum circulation maximum control at Center for Ongoing Research & Projects Aaron Gemmill and Matthew Schrader: Tactile Pose at K. Aaron Gemmill and Samuel Payne curated by Rachel Valinsky Flat by Fiat at LG
Born in Birmingham, Alabama
Lives and works in New York

Selected Exhibitions

2017
La Embajada, Mexico City (forthcoming)
Metropolitan Structures (forthcoming)
2016
Utopia Banished Angela Meleca Gallery, Columbus (curated by Ryland Wharton)
Work in Progress Storefront for Art and Architecture, New York
O/U P!, New York
O/U Room East, New York
Plain Sight Monroe-Brown Gallery Western Michigan University, Kalamazoo (curated by Tom McGlynn)
2015
Aaron Gemmill and Matthew Schrader: Tactile Pose P!, New York
Maximum circulation maximum control Center for Ongoing Research & Projects, Columbus
125 Things Kunstraum München, Munich
Aeromoto + Wendy’s Subway Reading Room NADA, New York
Transaction Spring/Break, New York (curated by Rachel Valinsky)
Flat by Fiat LG, Brooklyn
For Machine Use Only Schneiderei Gallery, Vienna (curated by Mohammad Salemy)
Relief Efforts Shoestring Press, Brooklyn
2014
Social Photography IV Carriage Trade, New York
MFA Thesis Exhibition Bard College, Red Hook
Our Demise 95 Ave B, New York
2013
Karel Martens & Aaron Gemmill P!, NADA Miami Beach, Miami
Social Photography III Carriage Trade, New York
Gymnasia, 4:00 AM Cleopatra’s Greenpoint, Brooklyn
Do It (Outside)/ DIY Plinth Socrates Sculpture Park, Queens
2012
Possibility 02: Growth, P! New York
Under the Big Blank Sun DadabaseNYC.com
2010
Methods of Entanglement Mass Gallery & Texas Advanced Computing Center, Austin (w/ Angie Keefer)
Object of Study/Subject of Learning Blanton Museum, Austin (w/ Angie Keefer and Rob Seward)

Curatorial Projects

2016
Daraprim L-G/Greene & Nostrand, Brooklyn
2015
Flat by Fiat L-G, Brooklyn
2013
Strike Then, Strike Now Interference Archive, Brooklyn

Publications

2017
F Magazine, Adam Marnie, Los Angeles
Ferrofluid Journal, Wreath, Atlanta
2016
A+WS (forthcoming) Publication Studio, New York
The Kingsboro Press 9 Kingsboro Press, Los Angeles
Theme Can 2 Theme Can, Tampa
2015
The Psychoanalysis of Fire Wendy’s Subway, New York
2014
SPACE, No, Dear Magazine Issue 14 Brooklyn
2013
Social Photography III Carriage Trade, New York

Press

2016
Family Bodies Induction Burners
Bricks, Paper, Ceiling: O/U at P! And Room East Mira Dayal, Aesthetica Magazine
O/U at P! and Room East Rob Goyanes, ArtFCity.com
O/U at P! and Room East ArtViewer.org
2015
Lite Sabotage Ryland Wharton, Center for Ongoing Research & Projects
Eating Art Glen Roven Huffington Post
WHERE DID YOU GO FOR SPRING/BREAK, 2015? Katy Diamond Hamer, Eyes Towards the Dove
2012
On Photocracy: Notes on Aaron Gemmill’s recent works and Laruelle’s concept of Non-Photography Mohammad Salemy, DadabaseNYC
2009
Tomorrow, Now, Forever Paddy Johnson, Art Fag City

Selected Discography

2011
Zachary Cale, Noise of Welcome All Hands Electric
2010
Rhys Chatham, A Crimson Grail Nonesuch Records
Charles Burst, The Famous Patient Ernest Jenning Records
2009
Broken Letters, BBC Sessions Bent Rail Foundation
2008
Illuminations See-Saw All Hands Electric
Sworn Enemies s/t Bent Rail Foundation
1999
v/a, Mandatory Marathon Amendment Records
1998
Laceration/Agoraphobic Nosebleed Satan’s Pimp
v/a Audio Terrorism : The Soundtrack For Weirdness and Blind Hostility Satan's Pimp
Accidental Double Homicide Satan’s Pimp
Laceration/Facade Burned Black Open Wound
Laceration/Bad Acid Trip Agitate 96
Laceration/K. Shipley Clean Plate Records
1997
v/a No Fate 2xCD HG Fact
v/a A Product of Six Cents Six Cents
v/a Deadly Encounters Agitate 96
1996
Laceration/Avulsion Clean Plate Records
v/a Speed Freaks Knot Music
v/a Prototype 7” Clean Plate Records
v/a Fooling with Pain Tylet Lyvet

Education

2015
MFA Milton Avery Graduate School of the Arts, Bard College